Girls Don’t Skate (2019)

Profiling a German skater who navigates the challenges of a new sport with the comfort of a supportive community.

Traditionally, skateboarding is seeded in American culture and has been a primarily male dominated sport. We wanted to spin those notions by looking at what it means to be a female skater in Germany. 

My Role: Director, Cinematographer (in collab with Emily Bodkin), Editor (cut, colour, graphics, audio post)

 
 

GenZed Film Festival Selection

I got to be featured in the 2020 festival showcasing young Canadian filmmakers and takes place at The Globe and Mail Centre in Toronto. There I’ll get to be apart of a Q&A about the film.

 

Featured in Kaleidescope N.4

Kaleidoscope is a growing publication at Ryerson University in Toronto made to showcase creative work. I created some subtitled stills to showcase the project in the print format.

HdM Media Night

From around the world, a Canadian, American, Danish, Scottish, and English student meet in Germany to form a crew.

This project was created on my study abroad in Stuttgart, Germany at Hochschule der Medien. It was chosen to screen at the semester end media night which was a great time to showcase what we’d be working on and finally show it to the people we filmed!

Left to Right: Benjamin Fritz (fellow skateboarder), Sanja Rühle (primary subject), Emily Bodkin (Cinematographer), and myself.

Left to Right: Benjamin Fritz (fellow skateboarder), Sanja Rühle (primary subject), Emily Bodkin (Cinematographer), and myself.

The Journey

sanjafinal.jpg

Since we had only arrived in Stuttgart a month prior, we were still getting to learn a lot about the city and the communities within it. So we figured a doc was the perfect way to do that.

Skateboarding has always been something that has interested me, skate in film is the subject of some of my favourite work (Minding the Gap, Mid90s, Skate Kitchen). So of course, I brought it up in the brainstorm session and we proceeded to explore that idea along with a few others.

Here’s what we knew, there was a skate community in Stuttgart, we just had to find it, so we began to research. We scoured the local places, wrote down anywhere we remembered seeing people skateboarding. I remember looking through Stuttgart skateboard groups on Facebook that were eerily inactive.

After talking to a lot of people and scouting some places in person, we ended up finding this one group of women about our age (in their early 20s) in a local skate park. The group was perfect, they had the style and the talent, so we pursued that, excited that we finally had a subject. This did however fall through due to scheduling and commitment.

This left us hanging and panicky. I asked our fellow exchange student, Ruben (an eccentric British fellow), to ask any girl or women he saw at the skateparks if they’d want to be in the project and if he could pass on their info to me. He would message me every few days with some leads. So I took the time to get to know the individuals, there weren’t many, but there were some Skype calls, coffee, the works.

We wanted to make a documentary of a group of girls who skate, Cinéma vérité style. Sanja however was great at sharing her own story and as a new skater, she didn’t have a set group of people she skated with everyday, she was at the outsides of the community finding her space.

I’d personally always wanted to learn how to skateboard and her perspective was really intriguing and fresh. It’s different seeing and hearing from someone who is already successful in something, we always do, but to hear it from someone who is very similar to us, beginning and failing, trying and being resilient was kind of transformative to me.

So we shifted the project to match the story we were telling in a way that was comfortable for someone who’s not used to being filmed. This differed a lot from what we initially intended, a group who already had all their questions answered, all their tricks learned. Instead we were about to showcase someone who was courageous in taking the first steps, the journey we don’t always see.

We ended up telling the story of her earnestness, her sheer will, with the goal of showing people that they could do it too. Not just skateboarding, but anything they didn’t see people like themselves in, whether it was in the community, the media, or the career.

And then I bought my own board.

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Unfinished (2019)

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Chimera (2019)